Tuesday, June 24, 2008
You will now listen to my voice
You will now listen to my voice. My voice will help you and guide you still deeper into Europa. Every time you hear my voice, with every word and every number, you will enter into a still deeper layer, open, relaxed and receptive. I shall now count from one to ten. On the count of ten, you will be in Europa. I say: one. And as your focus and attention are entirely on my voice, you will slowly begin to relax. Two, your hands and your fingers are getting warmer and heavier. Three, the warmth is spreading through your arms, to your shoulders and your neck. Four, your feet and your legs get heavier. Five, the warmth is spreading to the whole of your body. On six, I want you to go deeper. I say: six. And the whole of your relaxed body is slowly beginning to sink. Seven, you go deeper and deeper and deeper. Eight, on every breath you take, you go deeper. Nine, you are floating. On the mental count of ten, you will be in Europa. Be there at ten. I say: ten.
From: Europa (1991), Lars von Trier
Saturday, May 31, 2008
não parti
Não parti, mas já não sei voltar.
Ando às voltas a esquecer quem sou.
Bebo a noite até o Sol chegar.
Ele sempre me encontrou.
(...)
Não sei viver sem ter de viver.
O que me dão já não sei gostar.
Não se perde o que não se quer ter.
Cada vez mais sem esperar.
(...)
Rádio Macau
Acordar
Ando às voltas a esquecer quem sou.
Bebo a noite até o Sol chegar.
Ele sempre me encontrou.
(...)
Não sei viver sem ter de viver.
O que me dão já não sei gostar.
Não se perde o que não se quer ter.
Cada vez mais sem esperar.
(...)
Rádio Macau
Acordar
again
(...)
I've done it before and I'll do it again
Charged with a life that'll burn 'til the end
How can it be that we're so far apart
I want it to feel like it did at the start
(...)
New Order
Primitive Notion
I've done it before and I'll do it again
Charged with a life that'll burn 'til the end
How can it be that we're so far apart
I want it to feel like it did at the start
(...)
New Order
Primitive Notion
So still
So still, so dark all over Europe
And I ride down the highway, 101
By the side of the ocean, headed for sunset
For the kingdom come for the
Black
Black planet
Black
Black world
(...)
The Sisters Of Mercy
Black Planet
And I ride down the highway, 101
By the side of the ocean, headed for sunset
For the kingdom come for the
Black
Black planet
Black
Black world
(...)
The Sisters Of Mercy
Black Planet
Wednesday, April 23, 2008
nothing solid here
Throw your mind away
Fall into the sea
There's nothing solid here
Dissolve your body today
There's a sun in the sky.
We're in the atmosphere
Throw yourself in the sea
There's nothing solid down here
(...)
Swans
Mind/Body/Light/Sound
THE GREAT ANNIHILATOR, 1995
Fall into the sea
There's nothing solid here
Dissolve your body today
There's a sun in the sky.
We're in the atmosphere
Throw yourself in the sea
There's nothing solid down here
(...)
Swans
Mind/Body/Light/Sound
THE GREAT ANNIHILATOR, 1995
liquid lust
My frozen empty violent mind caressed the hidden hair
That shines with liquid lust I left behind
Your body stained with ruined eyes
I cut the skin
Concealed the crimes
With liquid hate I left inside
And loneliness is buried here
In rotting holes beneath your fear
Your agony
Your twisted struggle
Two bodies sink in meat-blood strangled
The smell of death
Your tortured gash
Enfold me in your mother's arms
Now hold me in your mother's arms
Swans
My Buried Child
THE GREAT ANNIHILATOR, 1995
That shines with liquid lust I left behind
Your body stained with ruined eyes
I cut the skin
Concealed the crimes
With liquid hate I left inside
And loneliness is buried here
In rotting holes beneath your fear
Your agony
Your twisted struggle
Two bodies sink in meat-blood strangled
The smell of death
Your tortured gash
Enfold me in your mother's arms
Now hold me in your mother's arms
Swans
My Buried Child
THE GREAT ANNIHILATOR, 1995
Saturday, April 12, 2008
In principle a work of art has always been reproducible
An analysis of art in the age of mechanical reproduction must do justice to these relationships, for they lead us to an all-important insight: for the first time in world history, mechanical reproduction emancipates the work of art from its parasitical dependence on ritual. To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility. From a photographic negative, for example, one can make any number of prints; to ask for the 'authentic' print makes no sense. But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on ritual, it begins to be based on another practice -- politics. (The Work of Art in the Age of Mechanical Reproduction, by Walter Benjamin, 1935)
Friday, April 11, 2008
nothing false and possible is love
nothing false and possible is love
(who's imagined,therefore is limitless)
love's to giving as to keeping's give;
as yes is to if,love is to yes
(...)
nothing false and possible is love
e.e. cummings
(who's imagined,therefore is limitless)
love's to giving as to keeping's give;
as yes is to if,love is to yes
(...)
nothing false and possible is love
e.e. cummings
Friday, April 04, 2008
that pale sustenance
I CANNOT live with you,
It would be life,
And life is over there
Behind the shelf
(...)
So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,
And that pale sustenance,
Despair!
Emily Dickinson
XII. In Vain.
Poems, Series 1
It would be life,
And life is over there
Behind the shelf
(...)
So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,
And that pale sustenance,
Despair!
Emily Dickinson
XII. In Vain.
Poems, Series 1
Wednesday, April 02, 2008
that clear wine the angels drank
The Universe: His wine cellar;
The atom’s heart: His measuring cup.
Intellect is drunk, earth drunk, sky drunk
heaven perplexed with Him, restlessly seeking,
Love in its heart, hoping at least
for a single whiff of the fragrance
of that wine, that clear wine the angels drank
from that immaterial pot, a sip of the dregs,
the rest poured out upon the dust:
one sip, and the Elements whirl in drunken dance
falling now into water, now in blazing fire.
And from the smell of that spilled cup
man rises from the dust and soars to heaven.
Mahmud Shabestari (d.ca.1320)
Rosegarden of the Mystery
The atom’s heart: His measuring cup.
Intellect is drunk, earth drunk, sky drunk
heaven perplexed with Him, restlessly seeking,
Love in its heart, hoping at least
for a single whiff of the fragrance
of that wine, that clear wine the angels drank
from that immaterial pot, a sip of the dregs,
the rest poured out upon the dust:
one sip, and the Elements whirl in drunken dance
falling now into water, now in blazing fire.
And from the smell of that spilled cup
man rises from the dust and soars to heaven.
Mahmud Shabestari (d.ca.1320)
Rosegarden of the Mystery
Saturday, March 29, 2008
Blood Promise
When silence falls
And light remains
And time is born
Beneath the sun
I'll hide your name.
Inside a word
And paint your eyes
With false perception
And I feel your mind
In everything
And every breath
Destroys a sound.
And I will follow
A false sensation.
And I'll always believe.
Your blood promise
And every breath.
I stole from you
And I never will see
Your perfect body
And you never have spoken
An unclear word
And I'll never betray
Your blood promise
Swans, Blood Promise
The Great Annihilator, 1995
And light remains
And time is born
Beneath the sun
I'll hide your name.
Inside a word
And paint your eyes
With false perception
And I feel your mind
In everything
And every breath
Destroys a sound.
And I will follow
A false sensation.
And I'll always believe.
Your blood promise
And every breath.
I stole from you
And I never will see
Your perfect body
And you never have spoken
An unclear word
And I'll never betray
Your blood promise
Swans, Blood Promise
The Great Annihilator, 1995
Friday, March 28, 2008
Will we survive?
I'll drink the moonlight from your hands
I'll swim an ocean filled with sorrow
No lover please don't go
We can crucify tomorrow
Let the sunlight feed the air
Let it fill our lungs with lies
We'll be memorized by shadows
But our loneliness will survive
(...)
Swans, Will We survive
White Light From the Mouth of Infinity, 1991
I'll swim an ocean filled with sorrow
No lover please don't go
We can crucify tomorrow
Let the sunlight feed the air
Let it fill our lungs with lies
We'll be memorized by shadows
But our loneliness will survive
(...)
Swans, Will We survive
White Light From the Mouth of Infinity, 1991
I used to make the children happy
Cause people grin when I come round
and kids they call me the bleedin clown
I used to make the children happy
Now little girls cry when they look at me
I'm goin down... down... down...
I'm goin down.
You lef baby you left baby
you left and i'm lonely
You left baby you left baby
you left and i'm lonely
(...)
Manu Chao, The Bleedin Clown
La Radiolina, 2007
and kids they call me the bleedin clown
I used to make the children happy
Now little girls cry when they look at me
I'm goin down... down... down...
I'm goin down.
You lef baby you left baby
you left and i'm lonely
You left baby you left baby
you left and i'm lonely
(...)
Manu Chao, The Bleedin Clown
La Radiolina, 2007
Monday, March 24, 2008
Why are we alive?
Now I'm not a man and I don't feel love
And I don't see anything coming down from above
But this world spins slowly and I see a light
Rising up from behind the horizon up into the clear black sky
But I don't see you in my line of sight
In fact I can't remember why we are alive
Swans, Why are we alive?
White Light From the Mouth of Infinity, 1991
And I don't see anything coming down from above
But this world spins slowly and I see a light
Rising up from behind the horizon up into the clear black sky
But I don't see you in my line of sight
In fact I can't remember why we are alive
Swans, Why are we alive?
White Light From the Mouth of Infinity, 1991
Sunday, March 23, 2008
This one goes out to the one I love
This one goes out to the one I love
This one goes out to the one I've left behind
A simple prop to occupy my time
This one goes out to the one I love
Fire
Fire
(...)
The One I Love
by R.E.M.
(1987)
This one goes out to the one I've left behind
A simple prop to occupy my time
This one goes out to the one I love
Fire
Fire
(...)
The One I Love
by R.E.M.
(1987)
Monday, March 10, 2008
White Trash Beautiful
White Trash Beautiful, Trailor Park Queen
She slings hash at the diner from 11 to 5
She married a boy from school, thought he was oh so cool
But all he can do for money is drive
Out late haulin' freight on Interstate 5, prayin' he'll see home before his baby arrive
White Trash Beautiful, There's something you should know
My heart belongs to you
And you coulda found a better guy
I'll love you till the day I die
I swear to God it's true
I'm comin' home to you
I'm comin' home to you girl
(...)
White Trash Beautiful, Everlast
She slings hash at the diner from 11 to 5
She married a boy from school, thought he was oh so cool
But all he can do for money is drive
Out late haulin' freight on Interstate 5, prayin' he'll see home before his baby arrive
White Trash Beautiful, There's something you should know
My heart belongs to you
And you coulda found a better guy
I'll love you till the day I die
I swear to God it's true
I'm comin' home to you
I'm comin' home to you girl
(...)
White Trash Beautiful, Everlast
It has no future but itself
Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.
It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.
Pain has an element of blank;
by Emily Dickinson
(1830-1886)
It cannot recollect
When it began, or if there were
A day when it was not.
It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.
Pain has an element of blank;
by Emily Dickinson
(1830-1886)
Sunday, March 09, 2008
away
Come with me
Into the trees
We'll lay on the grass
And let the hours pass
Take my hand
Come back to the land
Let's get away
Just for one day
(...)
Stripped,
Martin Lee Gore - Depeche Mode
Into the trees
We'll lay on the grass
And let the hours pass
Take my hand
Come back to the land
Let's get away
Just for one day
(...)
Stripped,
Martin Lee Gore - Depeche Mode
Hamlet
Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.
W. Shakespeare
Hamlet, 2. 2
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.
W. Shakespeare
Hamlet, 2. 2
we are still alive
(...)
will you come to me as an angel
as a man, as someone I've waited for?
will you come to me as a monster in a child's room
as a shadow at the window?
will you come to me as a fire burning
as the end of the world, as a revelation?
will you come to me?
(...)
sometimes I feel it's been a long ride
sometimes I think what does it matter
sometimes I'm glad we are still alive
the longer we've made it
the longer we've made it
(...)
Wings, Nicole Blackman
[Dead Inside, Golden Palominos,Restless Records, 1996]
will you come to me as an angel
as a man, as someone I've waited for?
will you come to me as a monster in a child's room
as a shadow at the window?
will you come to me as a fire burning
as the end of the world, as a revelation?
will you come to me?
(...)
sometimes I feel it's been a long ride
sometimes I think what does it matter
sometimes I'm glad we are still alive
the longer we've made it
the longer we've made it
(...)
Wings, Nicole Blackman
[Dead Inside, Golden Palominos,Restless Records, 1996]
Friday, March 07, 2008
I'll Walk With You
I'll Walk With You
Through Space And Time
And When Sleep Is Near
I Will Fold You In
I'll Disappear With You
In Clear Blue Flames
And When Our Time Arrives
We Will Slide Through Space
Swans, Her
Through Space And Time
And When Sleep Is Near
I Will Fold You In
I'll Disappear With You
In Clear Blue Flames
And When Our Time Arrives
We Will Slide Through Space
Swans, Her
dylan
(...)
Mama, put my guns in the ground
I can't shoot them anymore.
That long black cloud is comin' down
I feel like I'm knockin' on heaven's door.
(...)
Bob Dylan, knockin' on heaven's door
Mama, put my guns in the ground
I can't shoot them anymore.
That long black cloud is comin' down
I feel like I'm knockin' on heaven's door.
(...)
Bob Dylan, knockin' on heaven's door
Wednesday, March 05, 2008
Identity
Now I'm Breathing The Breath Of God
And The Cold Wind Cleans My Mind
And I'm Standing In A Ring Of Fire
And My Heart Is Made Of Light
And I Fly Across The Red Mountains
And My Hands Contain The Sky
And The Earth Rolls Away In Darkness
And I Ride A Piece Of Lightning
Killing Time
Killing Time
Now They Punish Our Imagination
And Corrupt Our Blood With Fear
And Infinity's Beneath The Ocean
But Oblivion Sits Right Beside Me Here
So We Are Blind And We're Polluted
And Each Breath Is Drunk With Tears
We'll Drift Away Across Tomorrow
And We'll Ride The Breath Of Nothing
Through The Years
Killing Time
Killing Time
Swans, Identity
Love Of Life, 1992
And The Cold Wind Cleans My Mind
And I'm Standing In A Ring Of Fire
And My Heart Is Made Of Light
And I Fly Across The Red Mountains
And My Hands Contain The Sky
And The Earth Rolls Away In Darkness
And I Ride A Piece Of Lightning
Killing Time
Killing Time
Now They Punish Our Imagination
And Corrupt Our Blood With Fear
And Infinity's Beneath The Ocean
But Oblivion Sits Right Beside Me Here
So We Are Blind And We're Polluted
And Each Breath Is Drunk With Tears
We'll Drift Away Across Tomorrow
And We'll Ride The Breath Of Nothing
Through The Years
Killing Time
Killing Time
Swans, Identity
Love Of Life, 1992
For whom it is reserved
Please could you stay awhile to share my grief,
For it's such a lovely day,
To have to always feel this way,
And the time that I will suffer less,
Is when I never have to wake.
Wandering stars,
For whom it is reserved,
The blackness of darkness, forever,
Wandering stars,
For whom it is reserved,
The blackness of darkness, forever.
(...)
Portishead, Wandering star
For it's such a lovely day,
To have to always feel this way,
And the time that I will suffer less,
Is when I never have to wake.
Wandering stars,
For whom it is reserved,
The blackness of darkness, forever,
Wandering stars,
For whom it is reserved,
The blackness of darkness, forever.
(...)
Portishead, Wandering star
Tuesday, March 04, 2008
a room full of emptiness
On a cobweb afternoon
In a room full of emptiness
By a freeway I confess
I was lost in the pages
Of a book full of death
Reading how we'll die alone
And if we're good we'll lay to rest
Anywhere we want to go
(chorus)
In your house I long to be
Room by room patiently
I'll wait for you there
Like a stone
I'll wait for you there
Alone
(...)
Audioslave, Like A Stone
"Audioslave" (2002)
In a room full of emptiness
By a freeway I confess
I was lost in the pages
Of a book full of death
Reading how we'll die alone
And if we're good we'll lay to rest
Anywhere we want to go
(chorus)
In your house I long to be
Room by room patiently
I'll wait for you there
Like a stone
I'll wait for you there
Alone
(...)
Audioslave, Like A Stone
"Audioslave" (2002)
Saturday, March 01, 2008
lies
He who says he is happy lies, and in invoking happiness, sins against it. He alone keeps faith who says: I was happy. The only relation of consciousness to happiness is gratitude: in which lies its incomparable dignity.
Theodor W. Adorno
a tiny baby girl
One day I’ll give birth to a tiny baby girl
and when she’s born she’ll scream
and I’ll tell her to never stop
I will kiss her before I lay her down at night
and will tell her a story so she knows
how it is and how it must be for her to survive
I’ll tell her to set things on fire
and keep them burning
I’ll teach her that fire will not consume her
that she must use it
I’ll tell her that people must earn the right
to use her nickname
that forced intimacy is an ugly thing
I’ll help her to see that she will not find God
or salvation in a dark brick building
built by dead men
(...)
Daughter, Nicole Blackman
(read the full poem here: http://your-other-left.blogspot.com/2007/09/daughter-nicole-blackman-publicerad-i.html)
and when she’s born she’ll scream
and I’ll tell her to never stop
I will kiss her before I lay her down at night
and will tell her a story so she knows
how it is and how it must be for her to survive
I’ll tell her to set things on fire
and keep them burning
I’ll teach her that fire will not consume her
that she must use it
I’ll tell her that people must earn the right
to use her nickname
that forced intimacy is an ugly thing
I’ll help her to see that she will not find God
or salvation in a dark brick building
built by dead men
(...)
Daughter, Nicole Blackman
(read the full poem here: http://your-other-left.blogspot.com/2007/09/daughter-nicole-blackman-publicerad-i.html)
Friday, February 29, 2008
Shall we Torch the Earth?
And if I wake from Dreams
Shall I fall in Pastures
Will I Wake the Darkness
Shall we Torch the Earth?
And if I wake from Dreams
Shall we find the Emptiness
And break the Silence
That will stop our Hearts?
And if I wake from Dreams
Shall we cry Together
For the Howling echoes
And restart the Night?
(...)
Death In June, Fall Apart
Shall I fall in Pastures
Will I Wake the Darkness
Shall we Torch the Earth?
And if I wake from Dreams
Shall we find the Emptiness
And break the Silence
That will stop our Hearts?
And if I wake from Dreams
Shall we cry Together
For the Howling echoes
And restart the Night?
(...)
Death In June, Fall Apart
the lie becomes the truth
(...)
People always told me be careful of what you do
And don't go around breaking young girls' hearts
And mother always told me be careful of who you love
And be careful of what you do 'cause the lie becomes the truth
(...)
Billie Jean
Written & composed by michael jackson
People always told me be careful of what you do
And don't go around breaking young girls' hearts
And mother always told me be careful of who you love
And be careful of what you do 'cause the lie becomes the truth
(...)
Billie Jean
Written & composed by michael jackson
Sunday, February 24, 2008
far too much
as the poems go into the thousands you
realize that you've created very
little.
it comes down to the rain, the sunlight,
the traffic, the nights and the days of the
years, the faces.
leaving this will be easier than living
it, typing one more line now as
a man plays a piano through the radio,
the best writers have said very
little
and the worst,
far too much.
As The Poems Go
by Charles Bukowski
from, ON THE BUS - 1992
realize that you've created very
little.
it comes down to the rain, the sunlight,
the traffic, the nights and the days of the
years, the faces.
leaving this will be easier than living
it, typing one more line now as
a man plays a piano through the radio,
the best writers have said very
little
and the worst,
far too much.
As The Poems Go
by Charles Bukowski
from, ON THE BUS - 1992
Monday, February 18, 2008
All my senses rebel
All my senses rebel
Under the scrutiny of their persistent gaze.
It took a lifetime to get here,
A journey I'll never make again.
(...)
Dead Can Dance, The Trial
Under the scrutiny of their persistent gaze.
It took a lifetime to get here,
A journey I'll never make again.
(...)
Dead Can Dance, The Trial
I can only hold you through a piece of plastic
I could die if I touched you
A long, slow, torturous death
Of a thousand cuts
In a thousand ways
I can only hold you through a piece of plastic
With your name on it
With your name on it
(...)
Cassandra Complex, One Millionth Happy Custommer
A long, slow, torturous death
Of a thousand cuts
In a thousand ways
I can only hold you through a piece of plastic
With your name on it
With your name on it
(...)
Cassandra Complex, One Millionth Happy Custommer
bone and self
I eat only sleep and air
and everyone thinks I'm dumb
but I'm smart because I've figured it out.
I am slimmer than you are
and I am burning my skin off little by little
until I reach bone and self
until I get to where I am essential
until I get to where I am
(...)
Holy, Nicole Blackman
[Dead Inside, Golden Palominos,
Restless Records, 1996]
and everyone thinks I'm dumb
but I'm smart because I've figured it out.
I am slimmer than you are
and I am burning my skin off little by little
until I reach bone and self
until I get to where I am essential
until I get to where I am
(...)
Holy, Nicole Blackman
[Dead Inside, Golden Palominos,
Restless Records, 1996]
Sunday, February 17, 2008
Drown
his scent swims around me
like a perfume too heavy for summer
me lost thing
intoxicated curled within him
drowning over and over
charmed disarmed
he comes when least expected
sits too close lingers too long
stares too deeply
and claims me with something I cannot name
lightheaded and clean
this is a gift
biting tongue until blood
I am sick with him
talk goes no deeper than tonight
words are tickets to spend time
skin is talking to skin
loud
(...)
Drown, Nicole Blackman
[Dead Inside, Golden Palominos
Restless Records, 1996]
like a perfume too heavy for summer
me lost thing
intoxicated curled within him
drowning over and over
charmed disarmed
he comes when least expected
sits too close lingers too long
stares too deeply
and claims me with something I cannot name
lightheaded and clean
this is a gift
biting tongue until blood
I am sick with him
talk goes no deeper than tonight
words are tickets to spend time
skin is talking to skin
loud
(...)
Drown, Nicole Blackman
[Dead Inside, Golden Palominos
Restless Records, 1996]
Friday, February 15, 2008
This Fear of Being What They Are: Dead.
this fear of being what they are:
dead.
at least they are not out on the street, they
are careful to stay indoors, those
pasty mad who sit alone before their tv sets,
their lives full of canned, mutilated laughter.
their ideal neighborhood
of parked cars
of little green lawns
of little homes
the little doors that open and close
as their relatives visit
throughout the holidays
the doors closing
behind the dying who die so slowly
behind the dead who are still alive
in your quiet average neighborhood
of winding streets
of agony
of confusion
of horror
of fear
of ignorance.
a dog standing behind a fence.
a man silent at the window.
hello, how are you?
Charles Bukowski
dead.
at least they are not out on the street, they
are careful to stay indoors, those
pasty mad who sit alone before their tv sets,
their lives full of canned, mutilated laughter.
their ideal neighborhood
of parked cars
of little green lawns
of little homes
the little doors that open and close
as their relatives visit
throughout the holidays
the doors closing
behind the dying who die so slowly
behind the dead who are still alive
in your quiet average neighborhood
of winding streets
of agony
of confusion
of horror
of fear
of ignorance.
a dog standing behind a fence.
a man silent at the window.
hello, how are you?
Charles Bukowski
Fell On Black Days
Whatsoever I've feared has come to life
Whatsoever I've fought off became my life
Just when everyday seemed to greet me with a smile
Sunspots have faded
And now I'm doing time
Cause I fell on black days
(...)
Soundgarden
Fell On Black Days
Music: Cornell
Lyrics: Cornell
Whatsoever I've fought off became my life
Just when everyday seemed to greet me with a smile
Sunspots have faded
And now I'm doing time
Cause I fell on black days
(...)
Soundgarden
Fell On Black Days
Music: Cornell
Lyrics: Cornell
It's Good To Be Back
(...)
Did you miss me, Yeah, while I was away,
did you hang my picture on your wall
Did you kiss me, Yeah, every single day,
although you couldn't kiss me at all.
And did you love me, Yeah, like a good little girl,
Did you tell that naughty boy not to call,
did you love me, Yeah, in your own little world,
Although you couldn't see me at all,
although you couldn't see me at all,
Hello, Hello, it's good to be back, it's good to be back,
Hello, Hello, Hello, Hello, I'm back again, I'm back,
I'm on the right track,
(...)
Hello, Hello I'm Back Again!
(Words and Music by Mike Leander & Gary Glitter)
A hit single across the World in 1973
Did you miss me, Yeah, while I was away,
did you hang my picture on your wall
Did you kiss me, Yeah, every single day,
although you couldn't kiss me at all.
And did you love me, Yeah, like a good little girl,
Did you tell that naughty boy not to call,
did you love me, Yeah, in your own little world,
Although you couldn't see me at all,
although you couldn't see me at all,
Hello, Hello, it's good to be back, it's good to be back,
Hello, Hello, Hello, Hello, I'm back again, I'm back,
I'm on the right track,
(...)
Hello, Hello I'm Back Again!
(Words and Music by Mike Leander & Gary Glitter)
A hit single across the World in 1973
Thursday, December 13, 2007
This Blog Is Set On "Pause"
A change of speed, a change of style.
A change of scene, with no regrets,
A chance to watch, admire the distance
(...)
New Dawn Fades, Joy Division
(Unknown Pleasures, 1979)
A change of scene, with no regrets,
A chance to watch, admire the distance
(...)
New Dawn Fades, Joy Division
(Unknown Pleasures, 1979)
Saturday, September 22, 2007
...To Be Back
The Hanging Man
By the roots of my hair some god got hold of me.
I sizzled in his blue volts like a desert prophet.
The nights snapped out of sight like a lizard's eyelid :
A world of bald white days in a shadeless socket.
A vulturous boredom pinned me in this tree.
If he were I, he would do what I did.
Sylvia Plath
By the roots of my hair some god got hold of me.
I sizzled in his blue volts like a desert prophet.
The nights snapped out of sight like a lizard's eyelid :
A world of bald white days in a shadeless socket.
A vulturous boredom pinned me in this tree.
If he were I, he would do what I did.
Sylvia Plath
Sunday, June 03, 2007
June
June is the sixth month of the year in the Gregorian calendar, with a length of 30 days.
The month is named after the Roman goddess Juno, wife of Jupiter and equivalent to the Greek goddess Hera.
At the start of June, the sun rises in the constellation of Taurus; at the end of June, the sun rises in the constellation of Gemini.
Friday, May 04, 2007
My Heart Is Black
(...)
I had a vision I could turn you right
a stupid mission and a lethal fight
I should have seen it when my hope was new
my heart is black and my body is blue
(...)
The Cardigans, My Favourite Game
I had a vision I could turn you right
a stupid mission and a lethal fight
I should have seen it when my hope was new
my heart is black and my body is blue
(...)
The Cardigans, My Favourite Game
Thursday, May 03, 2007
O Impossível Seduz
A nossa história começa na total escuridão
Onde o mistério ultrapassa a nossa compreensão
A nossa história é o esforço para alcançar a luz
Meu amor, o impossível seduz
Jorge Palma, Eternamente Tu
Onde o mistério ultrapassa a nossa compreensão
A nossa história é o esforço para alcançar a luz
Meu amor, o impossível seduz
Jorge Palma, Eternamente Tu
Wednesday, May 02, 2007
Flowers Melting
(...)
Flowers melting up into the sky
Hear my heart where our love collides
We hear the songs we found in the times we lost our way
(...)
Thievery Corporation, The Time We Lost Our Way
Flowers melting up into the sky
Hear my heart where our love collides
We hear the songs we found in the times we lost our way
(...)
Thievery Corporation, The Time We Lost Our Way
You Shall Not
You shall not be afraid of the terror by night,
Nor of the arrow that flies by day,
Nor of the pestilence that walks in darkness,
Nor of the destruction that lays waste at noonday.
PSALMS, Chapter 91
Nor of the arrow that flies by day,
Nor of the pestilence that walks in darkness,
Nor of the destruction that lays waste at noonday.
PSALMS, Chapter 91
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